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Each Friday, Atwood Journal’s employees share what they’ve been listening to that week – a track, an album, an artist – no matter’s been having an affect on them, within the second.
This week’s weekly roundup options music by St. Vincent, Medium Construct, Why Bonnie, Hippo Campus, Caroline Polachek, Sabrina Carpenter, EJ Imho, Hockey Dad, Orlando Weeks, Casii Stephan, Quiet Canyons, Dalia, Fiona-Lee, Low Hum, Glixen, & Babe Rainbow!
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observe WEEKLY ROUNDUP on Spotify
:: All Born Screaming – St. Vincent ::
Christine Buckley, Connecticut
St. Vincent’s seventh studio album All Born Screaming is my first contender for album of the 12 months. When “Damaged Man” got here out a number of months in the past I looped it for per week, yelling “what are you ?!” and putting manic poses each time that critical synth/guitar chord dropped. Upon listening to the album’s opening observe, I knew we had been in good arms once more: “Hell Is Close to” is a swingy, eerie ballad and so completely different from “Damaged Man,” “Flea,” and “Massive Time Nothing,” the album’s three singles, confirming that Ms. Shapeshifter herself was again.
“Violent Occasions,” “The Energy’s Out,” and “The Sweetest Fruits” are all standouts, dropping in that highly effective synth-guitar sound right here and there to remind us that it’s Annie Clark’s world and we’re simply residing in it. And the ultimate eponymous observe, with visitor Cate LeBon, builds up a lot stress that when it lastly drops you are feeling such as you’ve simply been whirled again to the dubstep years:
I’ve climbed into open arms
They become a straitjacket
Stolen hearts I didn’t want, however
Man, I at all times paid for them
I used to be a pantomime of a contemporary woman
These had been the times, and I used to be depressing
A karaokе model of Leonard’s “Hallelujah”
My wholе rattling life, I had by no means exhaled
Oh effectively
This album had me at hey however has gotten extra nuanced and simply so significantly better with every pay attention. It’s formally my first contender for album of the 12 months.
:: “Massive Time Nothing” – St. Vincent ::
Liv Goodbody, Brighton, UK
Bouncy, electrical, putting, St. Vincent’s new single “Massive Time Nothing” delivers precisely what a pre-release ought to previous to the drop of a brand new album. In my eyes, “Massive Time Nothing” is essentially the most thrilling observe of the album (All Born Screaming), reward St. Vincent earns via her commanding spoken lyrics, dynamic guitar solos and woozy grooving. A robust bass line and fervent synths curl round soulful backing-vocals to create an exhilarating funk-rock efficiency. Discussing the depth of her new album, St. Vincent candidly shares that she had no intention of losing time “with trifling shit”; a mindset which explains the hypnotic fervour of ‘Massive Time Nothing’.
The truth that that is the artists’ first self-produced report after releasing six albums is extremely compelling. The album guarantees to be essentially the most private contribution to her discography and boasts ten tracks soaked in persona – documenting a creativity let free. St. Vincent refers back to the album as “post-plague pop”; its tracks being constructed underneath themes of darkness and nervousness. Nevertheless, the extent of introspection this artist has carried out into her work creates a brutally stunning actuality, showcased by the choice dance-rock LP.
St. Vincent’s affect on the fashionable music scene is simple and her new album All Born Screaming, launched April 26 2024, proves to be a worthy successor to her earlier work, which has already earnt her three Grammy Awards. She stays an artist who deserves to be on each music-buff’s radar, and “Massive Time Nothing” has personally turn out to be an immediate St. Vincent traditional.
:: “Stick Round” – Medium Construct ::
Mitch Mosk, Beacon, New York
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:: “Dotted Line” – Why Bonnie ::
Mitch Mosk, Beacon, New York
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:: “All the pieces at As soon as” – Hippo Campus ::
Rachel Leong, France
Hippo Campus has returned with new single, “All the pieces at As soon as,” marking a brand new period for the indie-rock band. Meditative guitar strains take heart stage because the observe opens, with vocals and layered guitars quickly swooping in to create a collision of sounds that simply hit that sonic satisfaction. Frontman Jake Luppen’s vocals gleam over the observe’s instrumental musings, sliding seamlessly over the soundscape of “All the pieces at As soon as.” Traditional of Hippo Campus, the brand new observe holds a elegant DIY sound that reverberates with readability.
On the observe, the band states, “All the pieces at As soon as” is a “meditation, a concentrate on breath within the midst of breathless moments. You’ve been working away for too lengthy; it’s worthwhile to ace what you’re working from if you happen to’re ever going to beat it. Decelerate, breathe deep, put a reputation to the belongings you concern. Be affected person, give up your pressured perspective, and really feel every part directly.”
Forward of their Could sixth present on the iconic Pink Rocks Amphitheater, the discharge comes shortly after the announcement of assorted summer season competition gigs for the band.
:: “Starburned and Unkissed” – Caroline Polachek ::
Dimitra Gurduiala, Italy
What higher strategy to begin any Thursday than listening to a brand new track by Caroline Polachek? The Everasking Version of her magnificent album Want, I Need To Flip Into You has been lately launched, however this fascinating muse’s music is admittedly by no means sufficient. And right here is “Starburned and Unkissed,” a part of the soundtrack to Jane Schoenbrun’s upcoming film “I Noticed the TV Glow.” A soundtrack that sounds fairly attention-grabbing, since to this point it contains “Using Round within the Darkish” by Florist and yeule’s cowl of “Anthems for a Seventeen-12 months Outdated Woman” by Damaged Social Scene. “Starburned and Unkissed,” co-produced by A.G. Cook dinner, has been described as a outstanding piece within the movie, has a dreamy however considerably darkish vibe, with a strong guitar that by no means hurts. If that is the premise, I can already say that I can’t await this movie to come back out.
Come residence
Thе kettle’s whistling
My coronary heart’s a ghost limb rеaching
Starburned and unkissed
Sunkissed, the women exist in chilly
Simply as they’re to you
Child, say the phrase and also you get bored
Don’t allow them to in for you
:: “Espresso” – Sabrina Carpenter ::
Josh Weiner, Washington DC
Sabrina Carpenter’s new single “Espresso” has been popping up on my Spotify Really useful playlist lots currently, and Boy. Is. It. Catccheeeee!!! I suppose that’s the concept for a track named after an addictive early morning drink, however Ms. Carpenter has exceeded my expectations with this one. She’s acquired a candidate for Tune of the Spring with this one, and has demonstrated that Olivia Rodrigo is way from the one Disney Channel alum turned younger solo star price maintaining a tally of. Is that candy? I assume so. Is that severely superior? I know so!
:: “Don’t Overlook Me” – EJ Imho ::
Mitch Mosk, Beacon, New York
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:: “Security Pin” – Hockey Dad ::
Mitch Mosk, Beacon, New York
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:: “Dig” – Orlando Weeks (ft. Rhian Teasdale) ::
Hamish Monk, Essex, England
This is a delicate, slow-burner from ex-Maccabees frontman, Orlando Weeks. The instrumentation is paying homage to an early Tame Impala, with its dampened drums, fuzzy bass, and looping keys. Weeks’ vocal supply is characteristically near the mic, restrained. The selection of handing a function to Moist Leg’s frontwoman, Rhian Teasdale, is a intelligent one, too. Her verse holds the momentum of the observe because it builds to a psychedelic and washed out center eight that can appease any Maccabees fan. “Dig” is a superb track and the video should to not be missed.
:: “Wine & Gold”- Casii Stephan ::
Chloe Robinson, California
Tright here is that deep type of love… The sort that’s so explosive and passionate you simply wish to shout it to the rooftops. Casii Stephan’s “Wine & Gold” particulars that sort of untamed romance all of us dream about. With punchy powerhouse vocals hovering over funk-induced soundscapes the fierce piece is wholly infectious. The track’s power is indicative of Duffy’s “Mercy.”
Stephan shares, “Welcome to being utterly obsessed and consumed by love. That is the type of love that grabs you off of the bar stool you had been sitting on and dances with you till your ft begin bleeding. It feels good, but in addition your mates have questions. I do hope this track makes you smile, dance, and have enjoyable.”
The artist crafts a novel model melding indie-pop and soul-rock. Every of her releases emits an overflow of emotion and conviction. It’s laborious to consider she was once a shy woman petrified of her personal voice till she started writing songs at 16. Now she places out music that makes a daring assertion with a ton of vulnerability and coronary heart. “Wine & Gold” has that very same daring soul.
:: “Chairs” – Quiet Canyons ::
Mitch Mosk, Beacon, New York
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:: “TO THE BONE” – Dalia ::
Mitch Mosk, Beacon, New York
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:: “Mom” – Fiona-Lee ::
Christine Buckley, Connecticut
When U.Ok. singer-songwriter Fiona-Lee says she’s “writing songs to keep away from confrontation,” there’s part of you that bizarrely hopes she stays conflict-averse, as a result of if her debut track, “Mom,” indicators what’s to come back, then wow. We have to hold this woman anxious.
Severely, although, the Yorkshire native’s music, which falls someplace within the Venn diagram of folks, rock and pop, blends her lilting, emotional Florence Welch-like vocals along with her electric-guitar fingerpicking, an indicator of her solo reside exhibits. This observe has a way of impending dread that rises right into a rhythm-driven, head-nodding rock crescendo paying homage to her countryman Sam Fender.
The lyrics chronicle her tragic first expertise within the music business – one which she notes is way too widespread for ladies.
Mom, get me out of right here, I’m sinking in a storm.
I’ll inform you when the coast is evident, don’t await me to run.
And I really feel his eyes are all over the place, sticking to my pores and skin.
But it surely doesn’t come off with cleaning soap and water, this mess I’m in.
Fiona-Lee’s voice is essentially the most fascinating factor about this observe, much more than the superb songwriting. For this reviewer, it conjures Don Henley and Stevie Nicks’ track “Leather-based and Lace:” Equal components feathery sweetness and gritty willpower. Let’s hope for extra tracks to swoon over quickly.
:: “Lifeless Weight” – Low Hum ::
Josh Weiner, Washington DC
My college shall be kicking off Spirit Month quickly to mark the tip of the tutorial 12 months, and together with Sports activities Day, Starvation Video games Day and extra, it seems like Hawaii Day is on the agenda as effectively! I do know simply the track to play for my college students to set the environment for the Aloha State at school: “Lifeless Weight” by native islander Collin Desha (and okay, possibly “Hawaiian Curler Coaster Trip” from the Lilo & Sew soundtrack as effectively….)
Having grown up on the Massive Island and Oahu, Desha is at the moment residing in Los Angeles and conducting a solo music undertaking entitled Low Hum. Almost 10 years into this inventive endeavor, Desha continues to be going robust, with a brand new album, Terra Incognita, within the works and an ongoing tour alongside fellow indie acts Ra Ra Riot and Meltt.
His new music is born from a saddening expertise– he was robbed whereas on tour lately and misplaced a lot of the inventive materials he’d been carrying with him on the time– however Desha is set to show tragedy into triumph. His newest single, “Lifeless Weight,” illustrates that resolve effectively– he describes it as “a track that speaks to perseverance” and evokes the listener to “hold pushing via when issues really feel tough and [to keep] your eye on the ball.” It’s an altruistic message, and Low Hum’s synthy, spellbinding manufacturing expertise evidently survived that tough expertise. Could nothing however optimistic ones lie forward for this proficient man!
:: “lust” – Glixen ::
Mitch Mosk, Beacon, New York
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:: “Retrograde” – Babe Rainbow ::
Mitch Mosk, Beacon, New York
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