Atwood Journal’s Weekly Roundup: June 14, 2024

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Each Friday, Atwood Journal’s employees share what they’ve been listening to that week – a tune, an album, an artist – no matter’s been having an impression on them, within the second.
This week’s weekly roundup options music by laborious life, OSKA, Thee Sacred Souls, Image Parlour, Camille Schmidt, Sly Jr., sister., Yarin Glam, Night time Tapes, Comfortable Launch, Sam Varga, The Stews, Malcolm Todd, greek, Font, Sufjan Stevens, Rebecca Lappa, Brother Valiant, lucidbloom, and Alex Turner!
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 observe WEEKLY ROUNDUP on Spotify

Atwood Magazine's Weekly Roundup


:: “tears” – laborious life ::

Mitch Mosk, Beacon, New York

The band previously generally known as straightforward life returned this week as laborious life, and boy, if that doesn’t make you cease and suppose. Launched June 11th through their longtime label house of Island Data, the heartfelt, impassioned, and aptly-titled “tears” arrives eight months after straightforward life’s remaining single (“belief workout routines”) and the announcement that they had been being sued by (infamously litigious) multinational conglomerate easyGroup – proprietor of easyJet and different easyBlank corporations – over their identify.

Apparently, nothing may be straightforward anymore, and now we’re all residing in a tough life period. Not less than the music’s flawless.

It’s a tough life, I can’t lie it’s been a rush, within the laborious occasions, fortunate I acquired mates that I belief,” frontman Murray Matravers declares within the tune’s opening verse, singing over a sped-up pattern of singer/songwriter Natalie Bergman’s 2021 single “Maintain These Teardrops From Falling” (featured on an EP of the identical identify). Matravers lends the lawsuit one bar, addressing the scenario earlier than taking the excessive highway and shifting on. “It was straightforward in my 20s now I gotta lawyer up, gimme air miles or a good trial [bleep].” (Notice: The bleep used to say “Stelios,” referencing easyGroup’s proprietor, Sir Stelios Haji-Ioannou, who accused easylife of being “model thieves” in his litigation in opposition to them. The group claimed this bar was “disparaging and defamatory” upon the observe’s launch, and now it’s been censored on streaming providers. No laborious emotions; solely laborious life.)

For Matravers and crew, “tears” isn’t nearly returning triumphantly and unapologetically, or letting followers know they’re again below a brand new identify; it’s about perseverance despite the chances and persevering with to pursue their passions, regardless of who will get of their manner or tries to cease them. Coming in at simply two minutes and alter, it’s a tune of endurance and unbridled, unfiltered, uncompromising self-expression. The Bergman pattern, which already lends itself a sure Motown-like nostalgia, provides an extra sense of heart-on-sleeve tenderness to the air, making this second really feel particularly significant in Matravers’ and laborious life’s lives.

To my absent mates who by no means keep in contact
And once we ship DM’s they solely collect mud
Say my accent’s modified from my native tongue
I drink plant-based milk, it’s a gateway drug
However there’s no use crying over oat milk
Seen artists come and go, I’ve acquired survivor’s guilt
However I’ll (preserve these teardrops from falling)

“I actually don’t need folks to learn an excessive amount of into the identify. I used to be nervous, as a result of as a white, middle-class man, I haven’t precisely had a tough life. It must be appreciated in context, Matravers not too long ago advised NME. “The primary day that our supervisor sat us down and stated, ‘Guys, there’s some authorized motion coming and also you’re going to have to vary your identify,’ everybody within the band unambiguously and right away stated, ‘It’s gotta be Arduous Life’. That was our preliminary intestine intuition.”

“We had been laughing about it and I don’t suppose any of us had been taking it that severely, however as time progressed we went by way of 1,000,000 of different choices and we at all times got here again to Arduous Life as a result of we thought it was humorous. Everybody appeared to resonate with that, and it was essentially the most stereotypical Straightforward Life factor to do.”

Matravers and bandmates Samuel Hewitt (guitar), Oliver Cassidy (guitar), Lewis Berry (bass), and Jordan Birtles (drums) are recognized for his or her good humorousness; the band even incorporate jokes into their lyrics, and Matravers is appreciated by followers for his witty, tongue-in-cheek model of songwriting. To band and viewers alike, straightforward life’s rebirth as laborious life is actually bittersweet, however the identify change works. Will the brand new music have that rather more of an edge? Solely time will inform; for now, “tears” is recognition that the group are right here to remain, come hell or excessive water, they usually gained’t let anybody – or something – get of their manner.

And that’s a fairly highly effective sentiment to listen to, any day of the week.

If I ever get to see you once more
I’d by no means allow you to go my pal
I’d take away the rain
And put a smile upon your face
And I’ll preserve these teardrops from falling

:: “Endlessly Blue” – OSKA ::

Joe Beer, Surrey, UK

Hailing from Austria, singer/songwriter OSKA has simply dropped a model new single “Endlessly Blue” and it’s sure to assuage your soul. The colourful tune shimmers brightly with resonant guitars, heavenly harmonies and a move-inducing beat, as OSKA serves up the right tune to accompany these heat summer season days.

Written after spending the day together with her childhood pal, OSKA shares extra in regards to the conception of the tune explaining, “It felt like being kids once more; taking part in, goofing round, snoozing off within the automotive; not a fear on this planet. This tune is about reflecting on powerful conditions and realizations, like childhood ending. It’s additionally about friendship and the great thing about having folks in your life who could make you’re feeling at peace by one thing so simple as listening to music collectively.”

OSKA’s candy vocals emit a pure and harmless high quality, as her comforting phrases remind us to search for the silver-linings in life and all of the small issues that assist make our days a bit of brighter. “Endlessly Blue” is the antidote for if you’re down within the dumps and feeling such as you want a pick-me-up.

:: “Simpler Stated Than Finished” – Thee Sacred Souls ::

Marc Maleri, Connecticut

I’ve had just a few Thee Sacred Souls songs come throughout Spotify playlists over the previous couple years they usually by no means fail to tug me right into a trance. The publicity I’ve needed to the R&B San Diego trio’s discography sounds equal components fashionable and old-timey, and “Simpler Stated Than Finished” isn’t any exception. Lead singer Josh Lane has a voice clean as silk, with bassist Sal Samano and drummer Alex Garcia delivering the band’s characteristically heat instrumentals.

Part of the observe’s magnificence is within the simplicity with which the lyrics are approached.  “Simpler Stated Than Finished” contemplates the complexities of affection. From the shortcoming to correctly categorical emotions to trusting your coronary heart, Thee Sacred Souls remind listeners of the plain and all too relatable reality that love, whereas value it, is just not with out its baggage. From their 2022 self-titled album, “Simpler Stated Than Finished” looks like cruising down a freeway throughout a summer season sundown; it is stuffed with soul, gentle, and allure.

:: Face within the Image – Image Parlour ::

Mitch Mosk, Beacon, New York

London-based indie rock band (and Atwood artist-to-watch) Image Parlour debuted to appreciable fanfare final summer season. Eleven months later, the four-piece of Katherine Parlour (vocals and guitar), Ella Risi (guitar), Sian Lynch (bass), and Michael Nash (drums) have launched their long-awaited, heavily-anticipated debut EP – tripling the quantity of music that they had obtainable in a single day. A fantastically cinematic, breathtakingly dramatic affair, Face within the Image roars, smolders, and soars because the group gentle a hearth each round us and inside us, imploring audiences to affix them on a hard-hitting journey of reckoning, reflection, redemption.

For Parlour and her bandmates, this file serves as their basis – the “musical roots” they are going to at all times fall again on within the coming years. Everybody wants a place to begin – a spot from which to develop – and as she explains, these 4 songs served, fairly actually, as Image Parlour’s constructing blocks. “We wanted to share the songs on this EP to honour these very first tunes we made collectively manner again when,” she explains. “It didn’t really feel proper to go away them out of the Image Parlour historical past books. The EP is a capsule of who we had been once we met and what jamming collectively in these early days ignited. Our dream for this EP was to make a physique of labor that spanned throughout and screamed energy, emotion, grit and depth to preface what’s to come back in our musical world. We hope that every one 4 tracks ignite the complete spectrum of emotion in our listeners, simply as they did for us when creating and even nonetheless now once we play them collectively.”

Working for a complete of twelve minutes, Face within the Image is finest listened to in a single full sitting, as every tune highlights one other facet of the group’s uncooked abilities and burgeoning artistry. Title observe and EP opener “Face within the Image” is as charged and churning as it’s catchy and cathartic – a fever dream of epic proportions, meant to flood our ears, upend our hearts, and dazzle our souls. “Dial Up” involves the fore with a uncooked, unrelenting vigor, thanks largely to Lynch and Nash’s high-intensity rhythm part. “Ronnie” is as cinematic as it’s intense – a vivid show of the band’s storytelling capability. “Moon Tonic,” the primary tune Image Parlour ever made collectively, is a heavy, sweaty, seductive rush that aches from the within out, demanding audiences’ undivided consideration because it ebbs and flows by way of livid highs and feverish lows.

In-your-face and uncompromising, Image Parlour’s debut EP units them up for fulfillment by capturing their “day one.” It’s laborious to think about the place a band with this a lot expertise and potential will go from right here, however then once more, it’s not that laborious: The world is their oyster, and we’ll be following them together with bated breath, all of the whereas spinning these 4 new tunes for so long as we will.

:: “Your Sport” – Camille Schmidt ::

Chloe Robinson, California

It may be irritating to comprehend we have now been taken benefit of. Nobody likes to really feel as if they’re simply getting used. We sometimes wish to blame the opposite particular person and inform them to go to hell, however we don’t usually take into consideration our function on this as nicely. Camille Schmidt explores getting screwed over by a woman she had a factor for and the way she allowed this injustice to happen in her newest single “Your Sport.”  Her lush, soothing vocals float over infectious drumbeats. You possibly can hear that uncooked ache and disappointment in her vocals juxtaposed by the fast-paced instrumentation. The mixture works seamlessly.

The Brooklyn-based songwriter concocts a dreamy sound that’s merely mesmerizing. This beautiful single is off of her debut EP Good Particular person unveiled June 2nd. She collaborated with producer Phil Weinrobe on the six-track physique of labor. His unconventional technique to recording led to wholly sincere songs. He had advised Schmidt to not share any songs with the band beforehand. She performed no matter piece felt proper within the second and the band started experimenting from there. You possibly can actually sense that daring authenticity in “Your Sport.”

:: “vampires” – Sly Jr. ::

Mitch Mosk, Beacon, New York

Tright here’s nothing like blood-sucking indie rock anthem to actually get the juices (each literal and in any other case) flowing. Launched on June 7, “vampires” aches with the heavy weight of uncooked vulnerability, visceral feelings, and invisible (however not forgotten) scars. Landon Jacobs’ fifth tune as Sly Jr. sees the Sir Sly frontman reckoning with previous haunts, confronting the demons which have beforehand held him again from residing totally within the second, and exercising his (comparatively) newfound sobriety as a way of overcoming, or perhaps coming to phrases, with that previous.

His phrases ship shivers down the backbone as he paints a robust, poignant self-portrait:

like vampires, they suck me dry
i advised you, i’ve lived a thousand lives
so wrap me in threads of little gentle
i’m fading, do not forget that evening…
my face plastered on the tv
i felt so alive, i used to be barely residing
scrape me off the ground
when come the morning time
i can’t face the morning gentle…

With out filters (metaphorical and literal), it’s a hard-hitting picture that speaks to a soul’s fleeting consciousness; to a physique going by way of motions, there… however not there. How does any of us know if we’re actually residing, and benefiting from this reward of life we’ve been given? Maybe we should all endure some kind of reckoning – an acknowledgement of what clearly isn’t residing, to a level – to be able to full respect what it means to totally exist within the second. I at all times refer again to the phrases Be Right here Now – a easy phrase, and one I first discovered from Oasis – however now after I pull myself into the current, I’ll even be pondering of Sly Jr. and this tune.

As a result of the primary time I listened to “vampires,” I listened to it fifteen occasions. And no, no tape decks had been jammed; Jacobs has a manner of emoting each tenderness and turmoil in the identical shiver-inducing breath, and whereas each one in every of his Sly Jr. songs has hit laborious in its personal manner, “vampires” feels particularly susceptible, significantly aching, and undeniably human.

“This tune is me trying again on among the highs of my profession and the way rather more alive I really feel now that I’m sober,” Jacobs shares. “I want I used to be capable of be extra current again then, however I’m not gonna beat myself up about it.” Keep tuned for extra to come back as Jacobs continues to tease out his solo mission, all of which is ready to come back collectively as a studio album later this 12 months!

:: “Colorado” – sister. ::

Mitch Mosk, Beacon, New York

Tright here’s one thing delicately dazzling about sister.’s newest single – as there (admittedly) has been about most of their songs. Launched June 4 through Mtn Laurel Recording Co., “Colorado” is a fragile fever dream; a tune of stillness and saturation, of deep craving and massive emotions exercised to their fullest. It’s an exploration of fragility; of dropping oneself within the stomach of affection, and all of the dizziness, the butterflies, and the emotional vertigo that tends to accompany infatuation. The New York Metropolis-based indie trio of of Hannah Pruzinsky, Ceci Sturman, and James Chrisman craft a cathartic kaleidoscope of sound and feeling, drenching us in stunning music as they unpack a second of aching, weightless marvel:

You drive to Colorado and I get emotional
and I’m comparatively high-quality regardless of these modifications
regardless of what I’m going by way of
I preserve going by way of
tendency to slide proper by way of
God I want I knew

“We wrote ‘Colorado’ collectively,” sister. inform Atwood Journal. “Hannah began with the chords and the road ‘you drive to Colorado and I get emotional,‘ and we constructed all of it from there. The thought sprawled from the form of spiraling out that may take over within the early days of a brand new relationship the place a lot continues to be unsaid and inaccessible.”

“Equally to placing up a entrance that you just’re okay and never over-thinking one thing, we wished the tune to initially really feel light, hiding these emotions of circling uncertainty within the drawn out instrumental sections inside layered acoustic guitars, a piano spilling over, glitches in a system. The softness by no means fairly breaks, till it erupts within the outro, once we spiral three vocals across the phrase: ‘Regardless of what you thought you knew. I’m in your nook.  I get emotional.’”

Their first launch since final 12 months’s debut album Abundance (which Atwood Journal known as a “breathtaking train in human connection and vulnerability”), “Colorado” finds sister. of their aspect as they carry listeners deep right into a heat, wistful, and actually beautiful world of their very own design – one which sends shivers down the backbone, inspiring us to think about the methods wherein we lose ourselves to others, be it to like, or another drive – and the way we discover our manner again.

You’re carsick on the relaxation cease,
pacing, inhaling fumes

You say you’re in my nook, you swear
you promise too
Aren’t you so scared of fixing the best way
we thought this might go on?
Regardless of what you thought you knew
I’m in your nook
I get emotional

:: assisted reminiscences – Night time Tapes ::

Josh Weiner, Washington DC

Writing about assisted reminiscences, the brand new EP by British group Night time Tapes, is according to my purpose for the week of protecting artists from locations I’m about to be visiting throughout the just-now-starting summer season trip. It’ll additionally assist me get higher acquainted with the present music scene in London, which I’m about to go go to once more for the primary time in 18 lengthy years. However most of all – it offers me the prospect to spend 25 minutes immersed contained in the magical musical minds of this fabulous trio, which consists of Max Doohan, Sam Richards and lead singer Iiris Vesik.

From the very first observe on assisted reminiscences, entitled “drifting,” that’s precisely what’ll occur – you’ll drift away into the melodious universe of this group, the place Vesik’s fascinating high-pitched vocals and the fellows’ hypnotic dream-pop-influenced manufacturing are certain to forged their spell on you. The remaining six songs – together with the trip-hop-influenced “straightforward time to be alive” and the dreamy “loner” – preserve this impact fairly nicely. “I’m only a easy particular person doing easy particular person issues” Vesik insists on “projections,” however it actually takes greater than the common particular person’s musical talent set to tug off such a wondrous new file as this one. Hopefully, a full-length album gained’t be too far behind, in order that we will spend much more time immersed on this fabulous musical world that Night time Tapes have launched us to on assisted reminiscences.

:: “BLIND” – Yarin Glam ::

Joe Beer, Surrey, UK

R&B pop artist Yarin Glam flaunts her inventive evolution together with her new single “BLIND.” Whereas staying true to her signature model, the Los Angeles primarily based artist has ramped issues up a degree, mixing celestial vocals with sultry instrumentation and a brooding beat that emits an nearly eerie environment to the observe.

Together with her songwriting usually relating very actual and uncooked themes, Glam shares, “BLIND is in regards to the individuals who I assumed had been my mates however tried to affect me in a detrimental manner and I used to be too naive to see on the time. I feel everybody can interpret this tune otherwise and take it to their very own place.” Generally it’s simpler to simply plod by way of life placing up with issues that don’t at all times really feel proper to us, however Glam is right here to encourage us to tear off our blindfolds and rise up for ourselves.

The hypnotizing “BLIND” hints in the direction of what’s but to come back from the songwriter. Setting the bar excessive, we’re excited for the following installments of Yarin Glam’s new and improved sonic journey.

:: “Piano Palms” – Comfortable Launch ::

Mitch Mosk, Beacon, New York

Hailed as a tune “for folks deep in thought and deep in debt,” Comfortable Launch’s second-ever single looks like a grand opening – the start of one thing extremely thrilling and particular. Launched June 4 through Parlophone, “Piano Palms” surprises and delights all through its three-and-a-half-minute run. It’s a euphoric power-pop reverie; a psychedelic sun-kissed daydream; a enjoyable, free-spirited piano ballad-turned-feverish indie rock anthem full with glistening, swish keyboard scales, wealthy, radiant vocal harmonies (together with some breathtaking falsetto work), a smorgasbord of funky bass and drum work, and a smoldering, sweltering guitar solo that hits so laborious, it brings the tune to a cathartic (and unexpectedly abrupt) conclusion.

No it ain’t eternally don’t you get me improper,
Hiding in my basement,
Acquired the Jetsons on,
If it was one other day I’d sing alongside,
I’ll return to chasing,
As soon as the night comes.
Silent emotions,
Babe it’s only a lesser evil,
Time has acquired a depraved manner of getting even,
All of the issues that eat me up,
They spit me out gap.

“‘Piano Palms’ was written in an outdated cow milking shed within the south of England in summer season 2022,” the London-based band tells Atwood Journal. “After staying as much as see the dawn (presumably writing poems and consuming biscuits) we wrote the tune itself, and completed the biscuits. The remainder of the recording occurred close to a distinct milking shed in Drumlish within the depths of Eire (presumably catholic milk).”

I’ve been doing all of my bits,
I’ve been taking good care of my shit,
I’ve been doing my taxes,
I’ve been going out of my manner,
I’ve been getting 5 a day,
I’ve been sorting my plastics.

Comprised of Ben Limmer, Josh McClorey, Henry Pearce, Conor Value, and Ben Quinn, Comfortable Launch are arguably “model new” to the net music world, and but a slew of early exhibits – all earlier than they’d launched a single tune – have made them one of many UK’s buzziest artists; one in every of “your favourite band’s favourite bands,” particularly in case your favourite artists are of us like CMAT or Declan McKenna. Exhibiting themselves to be as adept on file as they (reportedly) are in particular person, Comfortable Launch lastly launched their debut single “Cartwheels” in early April – immediately proving the hype proper. “Cartwheels” is a blinding, dynamic outpouring of spirited power that by and huge feels true to its identify, catapulting over our ears in a flurry of highly effective bass, drum, and guitar taking part in. The tune has already amassed over 400,000 streams on Spotify in its first two months, displaying simply how impactful a Comfortable Launch may be – particularly when it’s completed proper.

“Piano Palms” is a worthy follow-up to “Cartwheels,” and one which additional highlights Comfortable Launch’s exhilarating multi-faceted artistry, in addition to its members’ particular person abilities. It’s a catchy, funky, vibey rush, and one that may absolutely additional cement this younger, extraordinarily promising band as one-to-watch.

I’ve been touchdown somersaults on the garden,
Seashores gaining numbers,
Summer time’s staying sturdy,
Oh its only a matter of conserving on,
I’ll return to fundamentals,
As soon as the sensation’s gone.
 
Silent emotions,
Babe it’s only a lesser evil,
Time has acquired a depraved manner of getting even,
All of the issues that eat me up,
They spit me out gap.

:: Shadow Work – Sam Varga ::

Julius Robinson, California

Shadow Work may be outlined as “a kind of psychotherapy that entails exploring and integrating the unconscious components of the psyche, or ‘shadow self,’ that folks usually cover or reject.” Many do shadow work to fix trauma, anger or resentment. This apply may be a good way to study extra about your self and assist us heal. Sam Varga’s album entitled Shadow Work gives that very same sort of catharsis all of us want. Fusing components of punk, people, and nation the distinctive physique or work is deeply intoxicating.

The album opens with “By no means Higher.” His angst-filled vocals soar over a rustic/rock background that includes sliding guitar and pounding drums. The emotionally stirring observe particulars a typical prevalence of humanity. Oftentimes we cover behind a smile although there’s an intense ache lingering inside. This tune is all about not eager to burden others so we masks how we actually really feel. “Alive” is the final word “f* it” anthem. His passionate tone sings of the loopy shit-storm his life has change into. It’s just like the expression goes… “should you don’t snort you’ll cry.” The ultimate piece “Dwell Up To It” begins off gradual and breaks out in a spirited, fast-paced sonic. He sings of nonetheless being a piece in progress and to grant him some grace. All of us can relate to that concept of making an attempt to raised ourselves, however having a methods to go.

The Kentucky native’s songwriting possesses a sarcastic wit that pulls in listeners. Varga’s music dives into previous and current wounds and makes an attempt to restore them. As a child he grew up submerged within the emo scene. Shadow Work has that very same expressive high quality and craving to rebuild. You get a lot out of each launch and are left to ponder your personal life.

:: “Earrings” – Malcolm Todd ::

Mariam Bagdady, Los Angeles, CA

This isn’t any common heartbreak tune.

It’s a testomony to that pestering feeling of doubt, remorse, and the fixed questioning of “what if” that results in that full and utter strangeness between two folks. Different artist Malcolm Todd breaks down the fourth wall and defies all odds relating to understanding one’s personal emotions in his observe “Earrings” off his newest album Candy Boy. In what may be described as a lyrically inventive endeavor into the thoughts, constructed by heat, rhythmic guitar runs and melodic vocals that layer on one another, the tune is electrifying in its personal proper – a summer season passage meant to be danced to in a single’s room on full blast. Impressed by creatives comparable to Tyler The Creator and Steve Lacy, Todd performs on the puzzling roots of discovering love and dropping it in his personal emotionally upsetting metalepsis. He’s telling his personal story – revealing his personal sense of understanding of it – all whereas creating the right musical expertise for all who pay attention.

:: “SOMEDAY” – greek ::

Mitch Mosk, Beacon, New York

Discovering greek’s newest single (collectively together with his pre-existing repertoire) this week served as a much-needed reminder that, regardless of how a lot nice music I suppose I do know, there are tons of extremely gifted, noteworthy artists on the market; that the “pool” of expertise is basically extra like an ocean, and I’ll by no means cease discovering new favorites – a few of whom, like greek, will include years’ value of fabric to discover. The moniker for Virginia-born vocalist, songwriter, and producer Michael Davie, greek exists within the ethereal intersection of hip-hop and singer/songwriterdom; his songs, courting again to March 2020’s “it means essentially the most,” are all worlds unto themselves – every one its personal singular universe wherein greek unveils the innermost components of his soul, unpacking life and all of the grit and dirt that comes with it.

That stated, if greek’s newest releases are any indication, the artist is present process a large musical transformation – one that’s certain to drive his identify straight into the mainstream. Following 2023’s songs “VIRGINIA CREEPER” and “THERE FOR YOU,” the dazzling “SOMEDAY” arrived this Thursday because the third impassioned single off greek’s forthcoming sophomore album ACCELERATOR (out June 28). Solar-soaked funk and achingly tender neo-soul coalesce in a brooding coronary heart’s upheaval as greek sings and sing-raps a poignant ode to misplaced love: greek “Somedays it’s laborious to comprehend you’re at all times straightforward on my thoughts,” confesses, a sizzling mess in and out.

Inform me now
Come be free
Life goes on, for you and me
Take my hand and fly away
We’ll discover love Sometime

“That is one in every of my favourite songs I’ve made up to now,” greek tells Atwood Journal. “I feel it’s a transparent illustration of the hours I’ve put into producing, and my journey to turning into a stronger songwriter. ‘SOMEDAY’ was impressed by one thing very actual happening in my life on the time, however finally it’s a tune about being in love with any individual which you could’t have.”

In a nod to greek’s distinctive artistry, “SOMEDAY” follows its personal structural sample, shirking the standard verse-chorus for one thing extra thrilling and impactful. He hits a feverish crescendo within the tune’s remaining minute, breaking out in a blinding eruption of heavy, aching ardour as he pleads, “Take me Greater… take me Greater…” again and again, drums pulsing and fuzzy guitars swirling round his sweaty falsetto voice.


It’s the form of emotional launch all of us want, after a painful low, to get the burden off our chests and perhaps – simply perhaps – begin recent. Evidently, I’ll be eagerly anticipating greek’s second studio album, as I’ve little doubt the companions to “SOMEDAY” will likely be simply as all-consuming as this immensely highly effective tune.

:: “Goodbye Evergreen” – Sufjan Stevens ::

Frederick Bloy, London, England

Sufjan Stevens has lengthy been a paragon of susceptible and uncooked people music. This id isn’t extra realised than when he tackles two of life’s most enduring themes on a private degree – love, and grief. “Goodbye Evergreen” combines the 2, leading to an opener for his 2023 album Javelin that units the tone for a poignant and nearly relentlessly intimate album.

The observe opens with its title; “Goodbye Evergreen, you recognize I like you,” indicating the premature finish of one thing as soon as deemed to be immortal. Stevens’ voice someway quivers much more than typical, maybe below the emotional pressure of a launch devoted to “the sunshine of [his] life… Evans Richardson,” as posted to the musician’s Instagram on the sixth October 2023, Javelin’s launch day.

Stevens cries out, “ship me from this poison ache,” earlier than a cacophony of alpine synths flood the tune, with echoing ‘Goodbye Evergreen’s talking to a way of desperation, and destitution within the face of the unavoidable tide of grief – of the truth of abruptly residing with out somebody. Trademark chamber preparations of woodwinds be a part of, sketching the define of a harmonic development that fades, unsolved, undefeated, however weakening all the identical. When an artist conjugates one thing common into artwork, for their very own consolation and the consolation of others, it’s a courageous job and one which I’m repeatedly enamored by. Javelin and “Goodbye Evergreen” will likely be music that may absolutely assist listeners for years to come back. I hope they’ve helped Sufjan Stevens too.

:: “Beneath Me” – Rebecca Lappa ::

Josh Weiner, Washington DC

The final week of the college 12 months is right here! And meaning… a lot of last-minute grading and cleanup (ugh). However extra positively, it additionally means I can begin shifting my focus in the direction of the summer season holidays! In that spirit, I’m going to dedicate my two Weekly Roundup entries to artists who hail from locations that I’m planning to go to all through the summer season. As an illustration, I’m about to spend every week in Canada later this month, the place I plan to get some stable out of doors actions in after which benefit from the large jazz pageant in Montreal. To organize for that journey up north, I’m listening to some new music from Canada – albeit from the opposite aspect of the nation – courtesy of Edmonton native Rebecca Lappa.

I’ve beforehand been uncovered to Rebecca by way of protecting her final EP, Tales of a Taurus, for Atwood final 12 months, and it’s nice to rediscover her by way of her newest single, “Beneath Me.” Lappa has beforehand sung in regards to the joys of being united with a beloved one– particularly in “Blue Lips,” the very first tune of hers that I ever heard– however now she’s taking a markedly completely different method with a brand new single that she describes as being “about lacking somebody who is much away, eager to really feel their contact, and eager for the separation to be over.”

The tune’s lyrics help that description nicely – “I would like you to come back house now/Working with my arms out/We’ve spent manner too lengthy simply making love over the cellphone now…” goes the refrain – and Lappa’s ever-impressive vocal skills and synthy indie pop manufacturing spherical off the observe fairly nicely. Plus, as with a number of of her earlier releases, this one comes with a music video that presents the beautiful Canadian panorama in all its scenic glory. I may be bodily confined to Quebec throughout my upcoming journey to Canada, however I respect that Rebecca Lappa has given me entry to faraway Alberta as nicely, in her personal particular manner.

:: “Natalie’s Track” – Font ::

Mitch Mosk, Beacon, New York

Font’s newest single is strictly what I imply after I speak about a tune feeling like a fever dream: Pressing and unrelenting, intense and impassioned, “Natalie’s Track” is concurrently messy, tight, turbulent, and uncooked. It’s a stress cooker able to go off; a sonic upheaval able to be the soundtrack to our emotional eruptions. Launched June 12th through Acrophase Data, the band’s second single of the 12 months (and their fourth profession tune launch) is a fascinating kinetic rush – and one which finds the Austin-based indie quintet coming to life with a hearth of their guts.

Having launched themselves to the world simply two years in the past, and staying comparatively below the radar till earlier this 12 months, Font are simply one of many reside music capital’s best-kept secrets and techniques – however not for lengthy. The band of Thom Waddill (guitar/synth/vocals), Jack Owens (drums), Anthony Laurence (guitar/synth/sampler), Logan Wagner (percussion/sampler), and Roman Parnell (bass/synth) describe their music as dance-punk, incorporating components of indie rock, new wave, post-punk, art-punk, alt-pop, and extra into an artistry that’s (admittedly) nonetheless revealing itself to us in actual time. Via final month’s single “Hey Kekulé” and “Natalie’s Track,” Font showcase the breadth and depth of their id – one that’s without delay expansive and eccentric, experimental and “radically susceptible,” as they wish to say. Each of those songs, along with earlier tracks “Sentence I” and “It,” will function on the band’s upcoming debut album, Unusual Burden (out July twelfth through Acrophase Data).

Because of “Natalie’s Track,” I’m formally hooked on this band. “The lyrics, delivered as if the voice had been one other drum, are impressed partially by L=A=N=G=U=A=G=E poetry, partially by the fleeting apprehension of main historic change in fragments, warps, gaps, desires,” Font inform Atwood Journal. “It was an early experiment in automated writing and collage, which have change into staples of Thom’s lyric-writing course of.”

Heated but cool, dramatic but glossy, Font’s newest launch is completely uncompromising: An invigorating, visceral fever dream that has me hooked on this band.

:: “So A lot Extra to You” – The Stews ::

Julius Robinson, California

Have you ever puzzled why a seemingly supreme relationship falls aside? The Stews stew over that idea of their newest single “So A lot Extra to You.” Combining gentle natural preparations with a gritty tone, the observe is genuine and uncooked. When a partnership involves an in depth many people lengthy to return to that preliminary spark. All of us marvel if we will ever get that again. The piece completely portrays that want.

The indie-rock outfit gives listeners with vocals that ship an ample quantity of ardour and coronary heart. That paired with their intimate lyrics create the dream musical pay attention. This single has the identical emotional depth. “So A lot Extra to You” is off of their upcoming album Hen Battle out July 12th. The Stews are releasing new music for the primary time since 2022 and we’re right here for this pleasant comeback.

:: “C’est La Vie“- Brother Valiant ::

Chloe Robinson, California

They say love is all about compromise. Generally we have to make changes to be able to please these we actually care about. Generally although we try large modifications solely to seek out ourselves reverting again to our outdated methods. Brother Valiant’s tune “C’est La Vie” is a narration of precisely that. The nice and cozy and wistful piece delivers a sure enchantment that’s completely fascinating. We’re hanging on his each phrase.

AJ Amsterdam is the brainchild behind the choice folk-pop mission. His pensive items exhibit a daring sense of journey. Brother Valiant’s sonic tells the distinctive story of roaming by way of nature but additionally being surrounded by the bustle of a giant metropolis. His masterful lyrics and euphoric vocals make his music the right tranquil paradise.

:: “Alerts within the Skies” – lucidbloom ::

Mitch Mosk, Beacon, New York

An enchanting dream pop anthem stuffed with ardour and grit, tenacity and resolve, “Alerts within the Skies” is an earnest, heartfelt ode to the human spirit: An intimate, achingly intense tune born out of angst, urgency, and pressure – the warmth of the second, when ideas fly out the window and intuition takes over our our bodies and minds. The fourth observe (and remaining single) off lucidbloom’s recently-released debut EP Calamity (Could 17) is a catchy, cathartic exhale from our deepest, innermost depths.

There’s a continuing ringing in my ears
Might it’s your voice
There’s a pressure up within the environment
Do I’ve a selection?
Everytime you say it’ll be alright
I can’t assist however change to the otherside
How can I survive once we’re operating blind
I’m borderline

And oh, how laborious it hits. lucidbloom, who hail from Australia’s Blue Mountains, describe “Alerts within the Skies” as a mirrored image of the chaos of contemporary life and the fixed wrestle between resignation and resistance. “The tune explores the sensation of rising tensions, from inside a lucid dream state, the place actuality feels distorted, and each resolution carries urgency,” frontwoman and bassist Katrina Noorbergen tells Atwood Journal. “The lyrics behind ‘Alerts within the Skies’ are about that sense of paranoia (telling your self it’s going to be okay, however then actually feeling the sense that nothing is okay!), and the stress of those unknowing and moody lyrics are strongly juxtaposed with a dreamy and uplifting pop refrain.”

“Now we have joked that we’re taking part in with this type of ‘APOPALYPTIC’ style – pop music that talks in regards to the finish of the world. The refrain lyric, ‘I’ll know to tug the set off,’ is posing a query regarding the selections we’re confronted with when issues go downhill very quickly. Can we struggle, or will we surrender? My sister, who weaves her vocals in and round mine, and I are full opposites on this sense. Come the zombie apocalypse, she’ll have hidden provides and scavenged makeshift weaponry, able to defend herself. Whereas I’ve shrugged my shoulders and thought ‘not for me thanks – I’m out!’ This duality is interwoven all through the tune and video, and these are the alternatives we see again and again, and are entertained by in well-liked tradition, TV, books and movies, throughout these calamitous ‘finish of days’ situations.”

When the sky goes up in flames
Within the darkest of our days
I’ll know to tug the set off

Harking back to timeless artists like Fleetwood Mac and The Cranberries, whereas concurrently respiration recent life into pop music’s dreamiest subgenre, lucidbloom are to not be ignored in 2024’s dizzying array of proficient newcomers. Their debut EP could also be named Calamity, however it’s an indeniable triumph of emotional efficiency and evocative songwriting.

“Our debut EP, Calamity, is known as after observe 5, the primary lucidbloom tune ever written,” Noorbergen shares. “On the time of penning this materials, we confronted a number of conditions (as had been many) within the Blue Mountains that had been labeled as Pure Disasters, impacting our day by day lives. The songs emerged inside and between evacuations from bushfires, skies stuffed with smoke and ash, disintegrating roads, landslips and flooded bridges, and successive pandemic lockdowns. References to pure forces and a way of foreboding hazard and pressure are threaded all through the songs, but additionally musings on loneliness, human connections and the way magnificence and lightweight creep into darkish locations.”

“The surreal high quality of residing by way of these occasions is mirrored within the lyrics in most songs – we’re in a lucid dream state, issues really feel unpredictable and nonsensical and there’s a looming paranoia at play. Musically, we’re additionally taking part in with natural instrumentation that builds, peaks and subsides. The power of reside devices is essential to capturing the fitting sensations and taking part in with dynamics all through the EP and displays the way it feels to experience the waves of uncertainty and unforeseeable futures. Visually, we work with a lighting artist, SIRCUIT, they usually carry tangible layers of color, smoke and motion that improve the layering of instrumentation and vocal harmonies.”

Pay shut consideration to this particular band, and don’t sleep on “Alerts within the Skies”: Subsequent time you must be energized, look no additional than lucidbloom.

There’s a mixing up of the sounds in right here
Whirlwinds in my eyes
And the clouds descend til we disappear
Alerts within the Skies

:: Submarine – Alex Turner ::

Oliver Criminal, Halifax, Nova Scotia

I not too long ago watched Submarine for the primary time. In the event you haven’t, go now and watch it. It’s a shifting, stunning coming-of-age love story that’s so relatable, so coronary heart warming and genuinely humorous. Why carry this up on a music web site? As a result of the soundtrack, by Arctic Monkeys’ Alex Turner and an acoustic guitar, stands amongst his finest work.

It’s gradual and pondering, his distinctive voice stirring with an emotion befitting the lyrics and the film. However even should you haven’t seen the film (and severely, if not why are you continue to studying?!), the EP stands up by itself. “Glass within the Park” is acoustic angst completed to perfection, whereas “Hiding Tonight” is worryingly relatable.

However the album shines utterly when taken as an entire: It feels such as you’re sat throughout from Turner, as he performs these songs only for you. So pause all the pieces and go watch Submarine. NOW!

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