Characteristic: Brooklyn’s h. pruz Bares Their Soul in Debut ‘No Glory,’ an Achingly Uncooked Album of Change, Guilt, & Progress

Social Share

[ad_1]

h. pruz’s Hannah Pruzinsky takes us track-by-track by means of their achingly intimate and breathtakingly susceptible debut solo album ‘No Glory,’ a superbly uncooked, soul-stirring indie people report born out of life-altering change and the guilt that comes with it.
for followers of sister., Adrianne Lenker, Mazzy Star, Julien Baker
Stream: “I Hold Altering” – h. pruz


The objective was to make an album of songs that felt as uncooked and intimate as they did the day they have been written.

For Brooklyn’s Hannah Pruzinsky, that was the tallest order attainable: Wrenched from their innermost depths throughout a time of emotional and bodily upheaval, their songs weren’t precisely “mild,” nor have been they for the faint of coronary heart. Nonetheless, the singer/songwriter’s debut album prevails in peeling again the layers of their humanity one music, one stanza, and one verse at a time. Achingly intimate and breathtakingly susceptible, h. pruz’s No Glory is a soul-stirring indie people report of grief, therapeutic, acceptance, and internal reckoning.

It’s a group of songs wrestling with life’s inherent fragility; how, regardless of how sturdy our foundations could appear, we’re all dwelling in our personal home of playing cards – attempting our greatest to keep up our steadiness and maintain the peace inside and outside, lest all of it fall down.

No Glory - h. pruz
No Glory – h. pruz
I maintain seeing change
Peel away the borders
Of issues with weight like copper
Thought it was gold
Til it turned inexperienced
Within the rain
I maintain doing issues
That bruise the aspect of my legs
Operating far in a area
By the center of the day
It’s so valuable to be worn
It’s so valuable within the ache
I maintain pursing my lips
Muscle tissue overworked
And while you begin to style
The blood between your molars
You’ll know betray in what’s agency
In the way it rots and makes an area
– “I Hold Altering,” h. pruz

Launched March 29, 2024 by way of Mtn Laurel Recording Co., No Glory aches from the within out as h. pruz finds her voice within the deep finish of the emotional spectrum. Lively since 2021 (they launched a debut entitled EP, once more, there in 2022), h. pruz is the solo venture of New York Metropolis-based singer/songwriter Hannah Pruzinsky, who’s greatest identified for his or her work as a founding member of indie rock by-way-of indie people band, sister.

The trio’s debut album Abundance launched in October 2023 and acquired vital acclaim as a heavy but tender, tender but hard-hitting album of naked, uncovered souls: “Abundance aches with a heat internal mild as sister. candidly discover what it means to be alive and related to others on this chilly, darkish world,” Atwood Journal wrote upon in a characteristic upon album’s launch, occurring to name it a “lovely, soul-stirring indie rock embrace of the human situation in its rawest and most susceptible varieties.”

MAXIMALIST, HOMEMADE, & JOYFUL: A GUIDE TO SISTER.’S DEEPLY VULNERABLE DEBUT ALBUM, ‘ABUNDANCE’

:: FEATURE ::

Whereas sister. sees Pruzinsky paired up with bandmates Ceci Sturman and James Chrisman, h. pruz is one thing of a musical and existential playground for their very own unfiltered thoughts, physique, and spirit.

It’s a diary-like artistry; an area for experimentation and limitless vulnerability, the place they will share these elements of themselves and their world that they don’t even share – no less than, to not the identical diploma – with the opposite two, not to mention anybody else.

“The genesis of this venture was initially as an area to experiment with the concept of writing and producing songs by myself,” Pruzinsky says explains. “So inside the vein of experimentation, it felt crucial that there be a touch of anonymity, even when that feels largely gone now. The abbreviation ‘h. pruz’ itself is a play on the same venture identify I had in center college that I don’t dare reveal any extra particulars about.”

Talking extra about their solo artistry, they add, “‘h. pruz’ incorporates much more free area and vacancy into it… I prefer to play with the facility of a dramatic pause, gaps. Additionally the songwriting feels diaristic as a result of I’ve no different collaborators within the room with me once I’m writing them. That’s a number of the enjoyable of sister., although. The issues we get to create in that shared dynamic are far past what I can suppose up alone. It’s taught me so much about letting go of an anticipated final result to a music in a means I don’t should once I’m alone, as a result of there’s solely the route I’ve already determined to take.”

h. pruz © Felix Walworth
h. pruz © Felix Walworth

The circumstances that precipitated this solo report are about as intimate, uncooked, and private because it will get.

Pruzinsky was deep within the thick of a number of massive life adjustments that have been hitting them like a wrecking ball, unexpectedly. Turmoil of their private {and professional} lives created an ideal storm of “inspirational materials” for his or her so-called musical diary; after all, what they have been actually doing was attempting to course of life’s turbulence and friction in actual time; to make sense of emotions and feelings that every one to typically depart us confused.

“It’s solely simply beginning to settle right into a form that I could make out [what this record is about],” they admit to Atwood Journal. “After I was writing the songs, it was merely simply the happenings of my life on the time: A life-altering break-up that I couldn’t unsee the necessity to undergo with, leaving a job that felt alien to how I noticed myself, falling in love. I feel the primary factor that I used to be working by means of, inside all this alteration, was the guilt that I left myself in. I needed to study forgiveness… and I additionally needed to study selfishness, too. I feel each of these issues are at play in a number of the songs.”

“Writing No Glory was my probability to discover each crevice of guilt, second thought, and ache that comes with the whole altering of oneself that comes with a life altering change. It was a lesson to myself in giving in to the whole dismantling of a construction I had taken a lot time to construct, the required acknowledgement of guilt (and its seat subsequent to ache), and the inevitable hope of forgiveness, one extending again to myself.”

h. pruz © Felix Walworth
h. pruz © Felix Walworth

Pruzinsky continues, “I used to be pulled to the concept of creating this album really feel as uncooked and intimate because it felt once I’d written the songs, and at the moment I believed the best way to try this can be to report the report fully to tape. Logistically and financially, that wasn’t actually a risk this time round, however I hope I can do this someday sooner or later.”

“However that very same unaltered feeling that comes with recording to tape nonetheless was capable of occur, I feel, on this report. I recorded the whole lot upstate in a cabin with my associate, Felix Walworth, the place we’d spent weeks at a time working by means of the songs, dedicated to taking full takes of a factor. Trusting when a take felt good, and going with it.”

“I hope it’s a door opening to a world that I can solely additional discover and share with each myself and whoever decides to hear,” they add. “This report felt pressing. I feel what’s to return will enable for extra meandering and seeing what issues look and sound like after the mud settles.”

h. pruz © Felix Walworth
h. pruz © Felix Walworth

I feel the primary factor that I used to be working by means of, inside all this alteration, was the guilt that I left myself in. I needed to study forgiveness… and I additionally needed to study selfishness, too

Pruzinsky candidly describes No Glory as unvarnished, affected person, and incidental.

The title, they clarify, comes from a line within the album’s third observe, “Worldfire.”

“[It’s] one of many tracks that I feel greatest encapsulates the album as an entire. The road itself is my means of underlining the darkish underbelly of change that I used to be fixated on whereas scripting this report.”

“Worldfire” is a definitive standout on No Glory, thanks largely to its unfiltered show of uncooked vulnerability. “I promise it wasn’t all smoke; we met in a snowstorm, what you noticed was steam,” Pruzinsky sings, their delicate voice a haunting vessel of ache and longing in a thick, tense, shiver-inducing panorama. “However assurance, it’s a desert of mourning. There’s no glory, there’s no warning…”

Vinegar in a stream
Pour it from the bridge
Time takes what we depart
Lord of flies taken down by a creek
I watch in memoriam
And depart it to sink
And I promise
It wasn’t all smoke
We met in a snowstorm
What you noticed was steam
However assurance
It’s a desert of mourning
There’s no glory
There’s no warning


If “Worldfire” is considered one of h. pruz’s lowest lows, then album opener “Darkish Solar” is considered one of their highest highs. Different elements of the breathtakingly intimate and evocative No Glory actually come alive with the load of a heavy human coronary heart, however the report’s first observe basks within the heat, magical glow of romance; of two souls’ connection. Soaked in love and the candy warmth of uncooked infatuation, “Darkish Solar” is a fragile, poignant, and achingly lovely indie people daydream: By mild music and candid poetry, Pruzinsky captures and conveys considered one of life’s most shifting, deeply significant experiences – eternally enshrining in music what’s all too typically relegated to a fleeting reminiscence.

Overlook the whole lot else is actual,” they beckon, an emotionally charged whisper on the wind. “We’re right here within the solar.” Pruzinsky surrenders their full bodily and emotional self to the immediacy, the fervour, the unbridled bliss and great thing about recent romance:

I’m your darkish
Hiding place
Crush me up
Take a component
Residue
In your fingers
Take my hand
Go away a mark

“‘Darkish Solar’ is a music I wrote attempting to seize the delirium that comes with a brand new love,” they inform Atwood Journal. “It’s obsessive and deep, it’s getting wrapped up within the idolization of somebody you most likely barely know.  It was good to offer myself permission to lean into that feeling, to get caught up in that infatuation that feels so uncommon. It’s a kind of greediness I wish to take full benefit of once I really feel it. I like that on this music, it’s clear it’s allowed.”

“I really feel like this music is also a very essential touchstone and place to begin for a bigger story I’ve been attempting to work by means of this previous 12 months, so it’s thrilling to point out the shimmery frenzied aspect of that earlier than I get to inform the remaining.”


Additional album highlights embrace the wondrous, up-close and private “Daybreak,” the smoldering, seductive “Hurting,” and the churning, achingly charged fever dream “I Hold Altering,” by which Pruzinsky makes an attempt to precise their very own internal development and transformation because it’s occurring.

“I’m attempting to seize the sensation of the second when you may really feel one thing inside you giving approach to a more moderen type, and the way ugly but unstoppable and releasing that finally felt for me on the time,” they clarify. “I used to be operating practically day by day on backroads upstate, shedding off the being that I was.”

“Writing ‘I Hold Altering’ left me on this crazed state – that seems like a spotlight. I simply began operating to it day by day once I had the primary voice memos of it.”


For Pruzinsky, the lighter, lilting “Angel” (whose lyric, “It’s laborious to be an angel if I take heed to what my physique desires” sends shivers down the backbone) is one other private favourite. “Recording [it] felt actually particular,” they smile. “Felix performed piano whereas I performed guitar and sang. We each mess up and stumble over this a part of the music that ended up feeling like magic.”

As for his or her favourite lyrics, they be aware, “I really feel pleased with ‘Hurting’ as an entire; it feels laborious to tug a lyric out of context and out of its timing. Possibly: ‘Issues that glow can’t deal with violence’ – hey, I knew that already from ‘Helpful.’”

Like a appeal in your wrist
Look to me for a solution
What’s greatest for us on this,
I may guess
How can we exist
On this design?
Finger in a glass of water,
I’ll smudge the strains
You’re so used to hurting
That it doesn’t really feel incorrect
I’m so used to hurting too
You’re so used to hurting
That it doesn’t really feel incorrect
I’m so used to hurting you
– “Hurting,” h. pruz


Whereas “Darkish Solar” begins the album in a spot of carefree reverie, “Helpful” closes the report with a unique type of tranquility.

It’s the musical manifestation of the calm after a protracted storm – a stillness that’s weathered turbulence, and lived to inform the story. “All of the air and area between us I hope it may be used… I hope it may be helpful,” Pruzinsky displays, without delay heavy-hearted and free-spirited, discovering classes in life’s wreckage that they carry ahead as they transfer onward. Their voice is barely audible as they ever-so-softly, delicately conclude, “There are particulars we would misinterpret, that the all was the whole lot, however the all was the whole lot.”

With this finale, we’re reminded of the ultimate phrases in “Darkish Solar,” the place life is gorgeous and love is within the air: “Take my hand, depart a mark, and overlook the whole lot else is actual; we’re right here within the solar.” Sure, life has a nasty means of getting in the best way of our pleasure, and so many good issues appear to, for no matter motive, have a finite shelf life – but realizing these truths shouldn’t get in the best way of us searching for happiness in our lives.

h. pruz © Felix Walworth
h. pruz © Felix Walworth

Pruzinsky has beforehand described “no glory” as a mantra referring to the visceral, human complexity embedded of their songs.

This description rings more true and more true the deeper we dive into their music. Finally, h. pruz is a lot greater than an open guide all through this debut album; they’re an open, aching coronary heart and soul. Definitely, this report feels as uncooked and intimate because it probably may.

And once more, that’s saying one thing.

“For me, this album felt like a number of levels of therapeutic a number of guilt,” Pruzinsky shares. “Placing it out has felt like many various issues: a number of surprises, a number of nervousness. Principally, it’s felt actually good. I’m excited to relaxation now and settle extra into the current of my life.  Write (extra), additionally not write (much more than that).”

Expertise the complete report by way of our under stream, and peek inside h. pruz’s No Glory with Atwood Journal as Hannah Pruzinsky goes track-by-track by means of the music and lyrics of their debut album!

— —

:: stream/buy No Glory right here ::
:: join with h. pruz right here ::
Stream: ‘No Glory’ – h. pruz

:: Inside No Glory ::

No Glory - h. pruz

— —

Darkish Solar

This music is the “you need to do precisely what you wish to do while you wish to do it” gluttonous music I wrote to attempt to seize the sensation of a brand new crush. It’s presupposed to really feel fully unreasonable and all-encompassing.

Daybreak

I believed we’d reduce this music from the album, however Felix insisted we strive re-working it. It seems like my new favourite, now, so I’m actually grateful they fought to maintain it round.  The unique inspiration for this was a robust, realizing gust of wind that I had felt whereas I used to be falling in love, the autumn earlier than I recorded all of those.

Worldfire

That is the primary music I feel I’ve ever written from (and for) the piano. I wrote it in the identical room I might later report it in, some 6 months down the road. I micc’ed myself and performed it within the empty cabin.  Felix got here again after a stroll and added the moog parts to it.

I Hold Altering

I wrote a demo to this music over the summer season and would obsessively take heed to it whereas operating every day. I bear in mind there was a day I used to be attempting to run the furthest I’d ever gone, and thought I’d strive operating to a lake outdoors of Woodstock. I by no means made it, however I did come upon some phrases as an alternative.

Angel

This was the primary music written that made it on to the album. I used to be taking a finger-picking class on the time and was unknowingly seeing a path in my life I had not but determined to take.

Record Mist

This music is ridden with the deep nervousness and uncertainty that comes with a brand new relationship. There’s an insane bar in Woodstock that I couldn’t assist however allude to on this one.

Hurting

“Hurting” is about rooted, small, repeated tragedies. I wrote this very slowly over the course of some weeks. The guitar half on the 12 string simply felt so painfu (emotionally and bodily), and it allowed me to actively work by means of some cycles in my life that really feel very stagnant

Return Retreat

This was really the ending of “Daybreak”, the place Felix and I simply stored enjoying for a couple of minutes. Some time in the past Hannah Learn posted on twitter a couple of need to assist individuals with observe ordering. I despatched this report to her and she or he had the concept to separate up “Daybreak” and this ending of it on this specific means. I stayed with the observe order she’d urged and now I can’t think about the album differently.

Helpful

Sure, this music got here from an precise lightning bug that I discovered in my bed room. I wrote this music just a few days after breaking apart with a long-term associate, and that felt like a small, personal (not!) miracle. It was one of many first songs I shared with Felix, and so they stated (playfully) I ought to stop my job and solely write songs. A few month later, I did.

— —

:: stream/buy No Glory right here ::
:: join with h. pruz right here ::

— — — —

No Glory - h. pruz

Hook up with h. pruz on
Fb, Twitter, Instagram
Uncover new music on Atwood Journal
? © Felix Walworth

:: Stream h. pruz ::



[ad_2]

Leave a Comment

Your email address will not be published. Required fields are marked *

Scroll to Top