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Keef’s ear has all the time been geared towards the dramatic, and Almighty So 2 provides his gothic raps a brand new grandeur. His greatest songs have a sure rawness to them, however right here, the mixes are crisper, extra professional-sounding. Leveling up within the studio can generally imply sanding off the perimeters, however each certainly one of these songs is diamond-sharp. “Almighty (Intro)” takes a pattern of the oft-used Carl Orff composition “O Fortuna” and chops it up whereas snare drums flurry beneath, constructing pressure as a voice ranges affirmations and insults for over a minute (“Your mama might have you ever once more, you continue to couldn’t be me”). Then Keef is available in and the drums gallop whereas he drops weird flexes (“She put my nut in her cup and she or he chased her Patrón”) and factors out how his come-up was ordained: “I used to be born in ’95, I been prepared since ’91…Sense a cougar headin’ for that ass? Boy, you higher run.” It checks each field for an ideal rap intro and places Keef in pole place to ground it.
So 2 is that this large all over. Keef stays stressed, indulging wild ideas and constructing them out to feature-length productions. “Drifting Away” is a marvel of Zaytoven-esque pianos, 808 thumps, glitching synths, and digital flutes that shimmer and stomp behind Keef’s cash speak and jabs at Kanye West’s claims of innovating drill music. Sarcastically, it sounds far faraway from drill, like it might’ve slotted as neatly on Uzi’s Everlasting Atake or any certainly one of TisaKorean’s previous few albums. That’s the magic of Chief Keef—even when he’s sticking to the script, he could make the sudden occur. Tierra Whack may not have been the primary rapper to return to thoughts for a Keef collab, however she catches a vicious double-time move over the again half of “Banded Up” that completely compliments Keef’s half-time yelps. Would you ever count on Keef to say “I begin carrying yellow diamonds, it seem like I peed myself” and evaluating enemies to the outdated mascot for Honeycombs cereal over angelic choir vocals on “Deal with Myself”? Or to work Bobby Womack and Wilson Pickett samples right into a roaring classic drill observe on “1,2,3”? Or to suit triplet drum rolls over spiraling piano keys on “Neph Nem”? The truth that all of them really feel left-field and like no-brainers is a testomony to Keef’s sustained capacity to shock after 15 years.
With that confidence comes a brand new funding in his legacy. Keef’s nonetheless targeted on current and future success, however he spends simply as a lot of Almighty So 2 contemplating his arduous journey to the highest. Remorse and longing aren’t new to him, however on the finish of his first verse on “Jesus,” he briefly works via the angle shift that got here along with his transfer from Chicago to California. The streets of his thoughts are much less lively however he remembers each run-up. “Prince Charming” is certainly one of a number of songs full of the type of reminiscences treasured most by those that make it out: recommendation from his grandmother, the bologna that was on his plate, conditions that made his “entrance yard seem like a GTA automotive meet.”
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