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Written within the bathrooms of the Wetherspoons pub in Forest Hill, the mecca for all creative expertise that supplants the 9 Rue Gît-le-Cœur within the Latin Quarter of Paris for lyrical output, London-based Fats Canine launch new track, the expansive epic I’m the King. Hear right here.
Joe Love’s confession of it being written in the bathroom of a boozer absolutely justifies the following proclamation that someday, the hideous deserves of this track will make sure the pub will someday get a blue plaque. “It was after I received damaged up with.”
With an orchestral opening, it seems like a cross between Vangelis and Underworld and is a poignant track, probably the world’s solely poignant track to namecheck The Karate Child Half II.
Directed by Dylan Coates and Travis Barton, the video for I’m the King opens on a scene of the band mourning and weeping in conjunction with Joe’s grave and progresses to the King himself parachuting from the sky out of a helicopter. Traditional Fats Canine.
Alongside the pep-talk-in-the-mirror of I’m the King, the group has confirmed a string of in-store exhibits in September to launch the album. Tickets on sale now from right here.
When the chaotic south London rabble often known as Fats Canine fashioned, they made two guidelines: they have been going to be a wholesome band who sorted themselves and there can be no saxophone presence of their music. Two easy edicts to reside by, and two issues long-since damaged by the Brixton five-piece. “Yeah, it’s all gone out the window,” says Love.
Life is simply too brief to stay to any plans you made within the unsettling, strait-jacketed instances of 2021 anyway. All these preconceived concepts about what Fats Canine must be once they initially fashioned with Love deciding to create a gaggle and take the demos he had been making at dwelling was a technique to maintain himself sane throughout lockdown, finally introducing these songs to the world.
In Chris Hughes (keyboards/synths), Ben Harris (bass), Johnny Hutchinson (drums) and Morgan Wallace (keyboards and, umm, saxophone), Love discovered like-minded mavericks to assist carry the dream dwelling. “A number of music in the mean time could be very cerebral and folks gained’t dance to it,” says Hughes. “Our music is the polar reverse of considering music.”
Hughes ought to know. He was a fan of the band, at that time making a reputation for themselves with a collection of exhilarating and/or wonky exhibits throughout south London, earlier than he was within the band. These formative gigs fashioned the bedrock of what Fats Canine have been all about, seizing the second, ingesting an excessive amount of with the second, going dwelling individually from the second however making up with the second once more the following day.
It didn’t take lengthy for the kennel-dwellers to come back flocking, each Fats Canine present in London turning into an enormous improve on the final. They offered out the Scala in October 2023 and, in April, performed a triumphant set to a sold-out Electrical Brixton. There’s something deeper occurring right here than the standard punter-goes-to-gig scenario. Everyone seems to be in on it. “There’s a way of group about Fats Canine,” says Hutchinson.
It’s not simply the capital who’ve been bitten.
Just lately, the band accomplished an ecstatically obtained tour of the US that included an all-conquering set at a taco joint. No lunches have been harmed. Contemporary off a UK tour final month, their subsequent run right here is in November together with London’s O2 Discussion board Kentish City in addition to performances at Glastonbury, Truck and Latitude festivals. They may even return to North America in October.
The sound Fats Canine make, Love says, is screaming-into-a-pillow music. “I wished to make one thing ridiculous as a result of I used to be so bored,” he declares. It’s an exciting mix of electro-punk, rock’n’roll snarling, techno soundscapes, industrial-pop and rave euphoria, music for letting go to.
Produced by Joe Love, James Ford and Jimmy Robertson, WOOF. passes by in a flash. Influences embody Bicep, I.R.O.Ok., Kamasi Washington and the Russian experimental EDM group Little Huge.
The album is a go to into the thoughts of Joe Love – be grateful you’ve solely been granted a brief go. “Music is so vanilla,” says Love. “I don’t like sanitised music. Even this album is sanitised in comparison with what’s in my head. I believed it will sound extra fucked up.”
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Try the video for I’m the King under:
Preorder WOOF. digitally (right here) and bodily (right here)
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