“I needed to be XTC or Speaking Heads… the Haircut One Hundred album had Genesis at its coronary heart, and Chris Squire obtained me into bass”: Nick Heyward’s ardour for prog

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Within the early 80s Haircut One Hundred scored 4 prime 10 hits – Favorite Shirts (Boy Meets Woman), Love Plus One, No person’s Idiot and Implausible Day. In 2018 band chief Nick Heyward – a solo artist for over 30 years – defined how every part he’d carried out musically had been powered by prog.

“Prog set me up for all times. Just like the literary classics, prog bands set the muse for contemporary music. This all filtered to me from my brother’s bed room. Pete had a purple room stuffed with amplifiers and incense.

We lived in Beckenham and me and my mate Austin and I have been into Bolan and Rory Gallagher. I’ve sturdy reminiscences of bunking into gigs at Crystal Palace Park and Austin would all the time get us backstage.

One time Gryphon had simply completed and I heard Breathe popping out of the audio system. There was this reference to the sounds coming from Pete’s room and a second the place I went, ‘Wow, that is music.’

The primary Genesis track that obtained me was I Know What I Like In Your Wardrobe. Then I obtained into A Trick Of The Tail, particularly Entangled and Ripples. I performed it again and again – it was an intro to conceptual data and it was like studying a guide. This wasn’t the music I knew from my mother and father – The Carpenters or jazz.

I wasn’t enjoying an instrument but and this new music seemed and sounded unimaginable. Pete might play; he taught me D main. I took that and labored on it, developing with D, C and G. That’s how I wrote Implausible Day.

I hoped to fulfill Mike Rutherford… I met Francis Rossi from Standing Quo as an alternative!

I needed to be XTC or Speaking Heads however after I wrote the Haircut One Hundred album Pelican West, it had Genesis at its coronary heart – and Chris Squire’s Fish Out Of Water is how I obtained into bass.

Within the studio, I didn’t have the musical potential for prog; however I’d like a track to start out with a automotive sound impact, or with birdsong, and I all the time needed to inform a narrative. That’s prog.

I by no means crossed paths with Genesis however Mike & The Mechanics performed a competition invoice I used to be on. I hoped to fulfill Mike Rutherford, so I stood by their tools – and I met Francis Rossi from Standing Quo as an alternative!

Genesis are everlasting and what they wrote turned like a bible; open it up, every part rings true. You marvel and go,‘What gods wrote that?’

My new album is known as Woodland Echoes, and the affect of prog is turning into extra obvious. I’ll most likely be full-on prog in a yr, bursting out… like a Dance On A Volcano!”

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“I needed to be XTC or Speaking Heads… the Haircut One Hundred album had Genesis at its coronary heart, and Chris Squire obtained me into bass”: Nick Heyward’s ardour for prog

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