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Strolling After Darkish picks up proper the place its predecessor, World What World, left off in 2021. On the time, issues didn’t look so scorching, and whereas Mountain Movers had recorded WWW earlier than the pandemic, its songs felt like responses to what was taking place. Dan Greene’s lyrics depicted people huddled of their basements, sheltering from societal breakdown and pleading for somewhat reduction, which the remainder of the band supplied with empathetic rhythms, liquid guitar leads and judiciously located echoes of nice rock sounds out of the previous.
Strolling After Darkish exhibits how Mountain Movers made it by way of. Like everybody else, these 4 New Haven, Conn., musicians had a variety of time on their fingers, however no gigs. So, they retreated to their observe room to jam, giving free rein to their experimental impulses. With no urgent must put the songs onstage, they gravitated to devices that don’t normally get lugged to exhibits.
Ross Menze performs bongos as an alternative of a drum package on opener “Bodega On My Thoughts/The Solar Shines On The Moon.” The remainder of the combo takes its cues from his relaxed tempo, patiently braiding Greene’s sullen strumming, lead guitarist Kryssi Batallene’s attractive fuzz tones and Rick Omonte’s questing, contrapuntal bass right into a 10-minute journey past city bleakness and into the past. They lower the mooring strains to track type altogether on the subsequent monitor, “Manufacturing unit Dream,” in an effort to drift on a tide of effervescent synthesizer and low-key, conversational guitar exchanges.
These two numbers arrange a dialogue that performs out over 4 LP sides, between observational songs and more and more spacey sonic explorations. Strolling After Darkish posits a sustaining response to a world gone bleak. It doesn’t matter what’s occurring exterior the rehearsal area’s 4 partitions, it’s attainable to creating one thing satisfying inside them. [Trouble In Mind]
—Invoice Meyer
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