LEBRECHT LISTENS | Tim Posner And The Berne Symphony Discover The Pleasure Spot In Bloch, Bruch, Dohnányi

Social Share

[ad_1]

Cellist Tim Posner (Photo: Kaupo Kikkas)
Cellist Tim Posner (Picture: Kaupo Kikkas)

Bloch, Bruch, Dohnányi (Claves)

★★★☆☆

🎧 Spotify | Apple | Amazon

There was a drive-time program on BBC Radio 3 referred to as Primarily for Pleasure. They modified the title when too many musicians referred to it as Strictly for Money, however the components bought thrown away with the idea. We neglect that music exists primarily for pleasure and we are likely to disparage these albums and concert events that aspire to no increased goal.

Right here’s one. Tim Posner, principal cellist of the Amsterdam Sinfonietta, has chosen three works for cello and orchestra for a signature launch. Two are very Jewish and acquainted, the third much less so. Posner brings a freshness to all three, together with a laidback angle that could be very welcome in these irritating instances and a scarcity of solemnity that’s much more to be cherished.

Bloch’s Schelomo is delivered with out the preachiness one generally hears from cellists who’re attempting too laborious to justify a piece that falls a way wanting the Matterhorn summit. Schelomo’s Hebraic themes don’t reply properly to an extra of historicity. Simply benefit from the music for what it’s.

Bruch’s Kol Nidrei is a concertification of the opening prayer of the Jewish Day of Atonement composed by a German Protestant who wrote it (he advised his writer) strictly for money. Posner, as soon as extra, restrains the temptation to over-stress the semitism and performs what he reads on the web page with heat and a contact of sensuality.

Erno von Dohnányi, a up to date of Bartok and Kodaly, was caught in a Brahmsian rut when he wrote his 1904 Konzertstück for cello and orchestra. There are worse ruts to be caught in than Brahms, though after a whilst you realise that Brahms did most issues higher.

That is music for a heat tub or a sunny day within the park. Posner and the Berne Symphony discover the pleasure spot and play it for all it’s value. The conductor is Katharina Müllner, who’s Viennese. There’s nothing on this file to not like.

To learn extra from Norman Lebrecht, subscribe to Slippedisc.com.

#LUDWIGVAN

Get the each day arts information straight to your inbox.

Join the Ludwig van Every day — classical music and opera in 5 minutes or much less HERE.

Newest posts by Anya Wassenberg (see all)

[ad_2]

Leave a Comment

Your email address will not be published. Required fields are marked *

Scroll to Top