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Lowlives information us monitor by monitor by their new album ‘Freaking Out’, out now by way of Spinefarm.
FREAKING OUT
“This was one of many first songs we wrote for the brand new report and we’ve really been taking part in it reside for the final couple of years as we have been stoked with the way it got here out.
It got here collectively fairly shortly writing sensible, the primary riff was pinched from an older track that simply wasn’t working so we modified the important thing and sped it up just a little then all of it got here collectively. It undoubtedly has an early Foo Fighters’ kinda vibe to it. Lyrically it’s about that by no means ending vicious cycle of being depressing and feeding it with vices within the hope it’ll repair the whole lot which it clearly by no means does.”
LIAR
“I [Lee Downer, frontman] wrote ‘Liar’ proper in the midst of the primary COVID lockdown as soon as the panic had kinda settled down. The track got here collectively in about 10 minutes which is normally a very good signal that I’m onto one thing. Lyrically, it began out about placing on a courageous face, pretending that I used to be OK all through it once I in all probability wasn’t… nearly convincing myself that the whole lot can be alright. Once we labored on the demo at Luke [Johnson, drums]’s studio, we wrote the remainder of the lyrics, and it turned extra about being somebody you’re not and feeling such as you don’t slot in, to the purpose of making a faux world in an try and really feel extra snug. You actually need to inform the reality, however you’ve purchased into the lies a lot that they’ve change into your individual private fact.”
GETTING HIGH ON BEING LOW
“That is the one track on the report that began with the lyric tag earlier than anything. Often, it’s at all times riff and music first earlier than any lyrics begin to take form. It’s kinda self-explanatory…it’s about embracing being a depressing cunt and accepting the hovel that you just’ve created for your self and being content material and blissful being by yourself.”
SWAN DIVE
“‘Swan Dive’ is my private favorite track on the report. Once more, it got here collectively actually quick and was written within the top of COVID. I needed to write down one thing that had an Alice in Chains vibe to it therefore the Staley/Cantrell sort verse melodies. The road ‘I’ll swan dive and not using a care’ line was only a scratch vocal from the demo that we simply constructed upon. It’s about feeling helpless and principally desirous to leap off a cliff. Completely happy as at all times. Enjoyable reality… The interlude between ‘Swan Dive’ and ‘Loser’ is a rework of one among our earlier singles referred to as ‘I Don’t Like You’. The Pixies-esque vocals are literally my spouse and Luke.”
LOSER
“‘Loser’ is a love track a couple of self proclaimed ‘loser’ who has fallen in love with somebody in addition they see as a misfit outcast like themselves. Each as awkward and bizarre as one another simply wishing they could possibly be losers collectively. Musically it’s undoubtedly probably the most pop track on the report and is an ode to 90’s different radio.”
YOU DON’T CARE
“I wrote ‘You Don’t Care’ as a complete Smashing Pumpkins rip off and I’ve no disgrace in admitting that. I heard one other band launch a single that sounded a lot like a ‘Gish’-era Pumpkins track and thought ‘oh, bands are allowed to do this?’ So I figured I’d write my very own ode to them. I didn’t assume ‘this needs to be a LOWLIVES track for the report’ so I simply rolled with it. I’m not an excessive amount of of a shredder however it was numerous enjoyable to put down some Corgan-esque solos.”
OUT OF STEP
“This one is fully Luke’s child…got here totally fleshed out and I had zero notes. Actually knocked it out of the park. Positively has an early Nirvana vibe with a sprinkling of Brit pop thrown in.”
CLOSER THAN YOU KNOW
“Lyrically that is in all probability the darkest track on the report. I learn an article a couple of husband writing a poem to his spouse within the newspaper that was principally a love observe to her about why killing himself was the perfect factor for her. I simply rolled with that as I wasn’t notably within the best place mentally and it was extraordinarily relatable on the time.”
DAMIEN
“That is the one concept-based track on the report. We’d had the music aspect of the track down for a few years, however we by no means completed it. Luke got here with a refrain, and I wrote the opposite riffs round it. We’re each large followers of Alkaline Trio and particularly the track ‘Non-public Eye’ because the lyrics are on one other stage. I grew up on the Isle of Wight and there was a disappearance case a couple of boy named Damien Nettles who was solely a pair years older than me. The story turned nationwide information and has at all times fascinated me. Nonetheless to today nobody is aware of what occurred to him. Some assume he was murdered; some assume he tried to swim throughout the Solent. Hopefully sooner or later we’ll discover out what occurred.”
VERTIGO
“Musically I wrote this in perhaps 20 minutes with the melodies. Simply kinda clicked and got here out quick. Writing the lyrics was enjoyable although. Luke came to visit and we simply sat outdoors on my deck and wrote them while feeding a chicken we name Chaz who eats nuts from our arms. Lyrically it’s a love track about how that feeling might be so intense that it looks like you could have vertigo. Makes you’re feeling so excessive that it’s powerful to come back down. We needed the track to be tremendous stripped again, simply acoustic guitar, vocals and cello so we had Nick Trygstad lay down some cello on it.”
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