[ad_1]
A dynamic digital album from New Orleans-based artist MoPodna, i can save me enamors throughout each heartfelt balladry and danceable pop infectiousness. MoPodna, who additionally drums in synthpop band Folks Museum, additionally collaborates on the album with a trio of proficient artists: Tif Lamson (GIVERS), Claire Givens (Folks Museum), and Julie Odell. Their contributions meld with MoPodna’s riveting manufacturing, tied inside themes associated to the artist’s important life modifications over the previous 4 years; the result’s an introspective, replay-inducing success.
Opening observe “i’m nasty” wastes no time in showcasing the venture’s atmospheric engrossment. Twinkling keys kickstart the observe, extra in step with a nighttime embrace. Wordless vocal results and clanging bass assemble thereafter, culminating in a catchy groove that persists all through — complemented by glimmering twinkles and Julie Odell’s dreamy vocals. Additionally that includes Odell, “satsuma” follows with a delectably grimier tint in its buzzingly sporadic synths. The vocals construct invitingly, with visions of latest breezes and tranquil sunshine, right into a summer-y pop hook; the one-minute flip dazzles with its numerous vocal layers and pulsating synth effervescence.
A palpable momentum is clear on the attractive “face down on the visitor mattress,” the place lush vocal immersion and starry-eyed synth tones mix for a fascinating sense of craving. With shades of Toro y Moi and George Clanton, the following “is that the best way?” succeeds in each its bouncy pop minimalism and extra expressive rises; the manufacturing is one other showcase of MoPodna’s dynamic prowess — from the serene “I see you once I go to sleep,” admittances into the intense and sticky synth additions that comply with.
“the dream / waking up” performs as a becoming mid-point throughout the album, main with a contemplative blissfulness as light keys and “the place am I?” vocal questioning craft an otherworldly, but peaceable, intrigue. “That is good,” the spoken-word vocal lets out, as buzzing synth pulses emerge infectiously; a nostalgic, wistfully understated interlude stirs thereafter. “sacrifice” brings listeners again to a vibrant pop immediacy, significantly pushed by throbbing bass strains and glistening parts, intertwining seamlessly. The stutter-y, beautiful vocal parts play alongside with a smitten melodic entrancement; Tif Lamson’s contributions on this observe are incredible.
Even on a extra minimalist effort, just like the piano-laden balladry of “jaws of life” and finale “greatest buddies,” there’s a memorably atmospheric tone to the manufacturing. “My particular jaws of life to save lots of,” the vocals let loose at one level on the previous, with delicate synth features bolstering the calming piano parts. Aspirations to “change my methods,” proves becoming inside an album that captures the affect of life modifications. “keep” conjures a late-night, heart-aching enchantment; Claire Givens’ vocals yearn for a pause, the place one stays for an additional spherical or day, and does so inside a melodically fulfilling soulfulness. i can save me is a incredible album from MoPodna, excelling in each emotiveness and danceable electro-pop pursuits.
[ad_2]
