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Apocryphonia’s raison d’être is to disclose the great thing about uncared for composers and their works. Their subsequent occasion, Strozz-ulana! on Could 27, spotlights the vocal works of composers Barbara Strozzi and Maddalena Casulana. The Diapente Renaissance Vocal Quintet will carry out a collection of madrigals by each Italian composers.
Each have been girls whose want for a musical profession and presence in society defied the conventions of the period.
Barbara Strozzi
“I reverently consecrate this primary work, which I, as a girl, all too ardently ship forth into the sunshine, to the august title of Your Highness, in order that underneath your Oak of Gold it might relaxation safe from the lightening bolts of slander ready for it.” (Barbara Strozzi in her dedication to Opus 1, to Vittoria della Rovere, duchess of Tuscany)
Barbara Strozzi was born in Venice in 1619. Her parentage shouldn’t be documented; nonetheless, it’s believed that her father was Giulio Strozzi, a well-known poet and librettist. He was a member of the influential Accademia degli Incogniti. Her mom, it’s speculated, might have been a servant. Barbara and her mom lived with Giulio, and have been acknowledged in his will. All through her childhood, Venice was decimated by a collection of plagues, however Barbara obtained an schooling, together with music.
She started to show vocal expertise by the age of 12, and added the lute to her musical apply. Giulio organized for her to take classes in composition with Francesco Cavalli. By age 15, her singing expertise was described as virtuosic.
Barbara took her father’s final title on the age of 18 in 1637, and by no means married, though it’s believed she might have lived as a mistress of Giovanni Paolo Vidman, a Venetian nobleman, and had three youngsters with him. There may be some doubt as as to if the connection was solely consensual.
As a composer of vocal music, she produced eight volumes of labor, (largely cantatas and arias), and was mentioned to be probably the most prolific composer of secular songs of her day. She usually used texts by the Marino, some of the fashionable poets of the day.
Maddalena Casulana
“…these first fruits of mine, flawed as they’re…present the world the futile error of males who imagine themselves patrons of the excessive items of mind, which in accordance with them can not even be held in the identical approach by girls…” (Maddelena Casulana, from the dedication in her first e book of madrigals in 1566)
Whereas Strozzi’s work falls clearly into the early Baroque, Maddalena Casulana, born in 1544, was a composer of the late Renaissance. Not a lot is understood about her life. It’s believed Maddalena was born close to Siena, Italy, and was educated in Florence, the place she revealed her first e book of 4 madrigals in 1566.
She is the primary girl composer to have revealed a complete e book of her personal music, which she devoted to a girl, her patron Isabella de’Medici.
Her music was additionally revealed in Verona, Milan and Venice, the place there are a number of written accounts of her musical items. She was additionally identified to have visited the French Imperial courtroom within the 1570s. A while in the course of the 1570s or 1580s, she married a person by the title of Mezari.
She leaves a trove of madrigals written in a considerably contrapuntal and chromatic model, 66 of which survive to the current. In an thrilling improvement, the misplaced alto partbook of her 1583 e book of madrigals in 5 voices, together with one other 17 madrigals, was rediscovered in 2022.
The Performers
The live performance can be carried out by the Diapente Renaissance Vocal Quintet, based by tenor Alexander Cappellazzo (additionally accountable for Apocyrphonia the group). The quintet was based in 2022 to discover the works of the fifteenth, sixteenth, and seventeenth centuries, with an knowledgeable sense of their historical past and approach.
The quintet consists of Peter Koniers (countertenor), Jonathan Stuchbery (tenor & lutenist), Jane Fingler (soprano), Alexander Cappellazzo (tenor), and Martin Gomes (bass).
- Discover extra details about the Could 27 live performance, and tickets, [HERE].
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Anya Wassenberg is a Toronto Metropolis Editor at Ludwig Van. She is an skilled freelance author, blogger and writing teacher.
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