Vicious Kitty’s Self-Titled Album  – IndiePulse Music Journal

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Threateningly chopping into the silence in “Spank Me” or crushing a dirge within the groove-laden “Battle,” Vicious Kitty’s self-titled album presents listeners with such a fetching and addictive tracklist that temptations to play it from begin to end are sometimes too robust to be resisted. There’s wealthy unevenness to the development of brooding rock tunes like “Candy Reminiscences” and the progressive “Trying Glass,” but it surely’s as charming a discover as the stability of “Mr. Darkness” or the traditional “Freedom” is.

Whether or not they’re juggling oddities with delicate steel influences (“Bangkok Metropolis”) or simply reinventing songcraft for a technology nonetheless fairly wanting to have their rockers to worship (“Harmless Woman”), Vicious Kitty feels like a bunch with an unmistakable trademark sound on this LP, and it’s one which I doubt any credible music critic goes to dismiss this summer time. Theirs is a one-of-a-kind look for those who’re ever going to see one in 2024, but it surely involves us not as fiercely anti-everything as it’s dedicated to telling the tales of those musicians and nobody else. 

The guitar components are essentially the most dominant element of charisma in Vicious Kitty, and in “Alone” or “No Extra Waitin’,” they arrange an emotional basis that no linguistics ever might have on their very own. When phrases can’t do a story justice, this isn’t the type of band that may flip to the standard ribbonry plenty of their friends would possibly, however as an alternative the tempered ferocity of the instrumentation because it stands with out the lens of costly producing to get in the way in which.

There are blues components to the songwriting type Vicious Kitty employs that I might love for them to discover just a bit greater than they have already got, because it might deliver among the extra menacing attributes to the build-on “Mr. Darkness” out of the woodwork the place we are able to admire what they will do. This group’s riveting use of tonal distinction in Vicious Kitty had my coronary heart from the very first time I listened to the whole tracklist ahead, but when coupled with some sharpening of the opposite areas of their sound, this act might turn out to be downright unstoppable. 

I solely simply discovered about Vicious Kitty the opposite day, having by no means listened to their earlier work when it was initially launched, however having now been made conscious of their stellar skills, I’m shocked they haven’t already attracted mainstream hype. Vicious Kitty will admittedly dissuade the informal onerous rock crowd from taking a lot curiosity within the band, however for these of us who put plenty of inventory in natural songwriting and experimental heavy rock themes that aren’t simply beauty lip service, what Vicious Kitty is creating within the studio might be one of the vital spellbinding treats round in 2024.

I don’t suggest taking my phrase on this alone; for those who haven’t already heard Vicious Kitty for your self, its ten stellar songs make for one of many extra impressed soundtracks to any summer time day. Rock may be underground once more, however this can be a sound that may’t keep contained from the lots.

Mindy McCall



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