Taylor Swift and Submit Malone prime the charts once more. How lengthy can their dominance final? : NPR

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Taylor Swift on stage in France in May, during the European leg of her Eras Tour. Since its release in April, Swift's latest album, The Tortured Poets Department, has been the top album in the United States for eight consecutive weeks.

Taylor Swift on stage in France in Might, throughout the European leg of her Eras Tour. Since its launch in April, Swift’s newest album, The Tortured Poets Division, has been the highest album in america for eight consecutive weeks.

JULIEN DE ROSA/Getty Pictures

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JULIEN DE ROSA/Getty Pictures

This week on the Billboard pop charts, up-and-comers hit new milestones, juggernauts perpetuate their streaks atop the charts and a veteran rock band returns to the highest 10. However subsequent week, a rustic star threatens Taylor Swift’s dominance.


Final 12 months, Morgan Wallen’s “Final Evening” topped the singles chart for many of the summer time, together with 10 weeks in a row in Might-July. This 12 months, Wallen’s inescapable duet with twice-as-inescapable Submit Malone (“I Had Some Assist”) sits atop the Scorching 100 songs chart for a fifth straight week. In the event you, like Billboard, prefer to suppose by way of “the music of the summer time,” Wallen has your reply but once more.

After that, the most important story is the continued rise of Sabrina Carpenter, who joins the highest three for the primary time ever — and, in truth, joins it twice, as her brand-new music “Please Please Please” makes its chart debut at No. 2 and the indefatigable “Espresso” hits a brand new chart peak at No. 3. Carpenter’s busy 2023 stands to take off even additional as she builds towards the discharge of Brief n’ Candy, her new album, on August 23.

In the event you’re searching for an esoteric milestone to contextualize Carpenter’s success, observe that she’s simply the second act within the historical past of the Scorching 100 — the primary being The Beatles, and so they have been a fairly large deal, it seems — to make their debut within the chart’s prime three with two songs directly. (To make clear: Different artists have landed their first two singles within the prime three on the similar time, together with Iggy Azalea and DaBaby, however all of these artists had featured performers who have been additionally billed on no less than one of many charting songs in query. Not so for Carpenter or the artist with whom she’s now synonymous, The Beatles.)

Two of the season’s different dominant new faces, Shaboozey and Tommy Richman, spherical out the High 5 with “A Bar Track (Tipsy)” and “Million Greenback Child,” respectively. Eminem’s “Houdini,” to not be confused with Dua Lipa’s “Houdini,” plunges from No. 2 to No. 8 in its second week. And the High 10 has one other new entry within the type of Billie Eilish’s frothily interesting “Birds of a Feather,” which rises from No. 11 to No. 9.


In the event you love Taylor Swift’s The Tortured Poets Division, you’re no stranger to listening to the identical factor occur over and time and again. So that you’ll little doubt have a good time that, for the eighth week, The Tortured Poets Division as soon as once more rides excessive atop the Billboard 200 albums chart.

Nonetheless, bother is brewing — if, by “bother,” you imply “an album that’s prone to be extra well-liked in its first week of launch than The Tortured Poets Division is in its ninth week.” Along with her equal album models dropping this week from 148,000 to 128,000, Swift seems particularly weak to Luke Combs’ new album, Fathers & Sons, which got here out this previous Friday, simply in time for Father’s Day. The truth is, with Billie Eilish’s Hit Me Exhausting and Smooth rising from No. 3 to No. 2 on the power of “Birds of a Feather” — and choosing up 106,000 equal album models within the course of, although Eilish’s numbers have additionally been dipping since Exhausting and Smooth’s launch — it’s conceivable that Swift may drop all the best way to No. 3 subsequent week.

Elsewhere, the High 10 welcomes three very totally different new entries, with chart debuts for Charli XCX’s fizzy gem Brat (No. 3) and Bon Jovi’s Eternally (No. 5), in addition to the most recent boomlet of the ascendant Chappell Roan, whose The Rise and Fall of a Midwest Princess ticked up from No. 12 to a brand new chart peak at No. 10. Bolstered by her efficiency on the 2024 Governor’s Ball on June 9 — in addition to the presence of three singles presently racing up the Scorching 100 — Roan is the primary artist to climb into the High 10 for the primary time after 12 or extra weeks on the chart since Noah Kahan pulled off the feat practically a 12 months in the past. (Sure, that’s one other esoteric metric. However should you’re searching for indicators {that a} sluggish rise equals a protracted keep, observe that Kahan’s Stick Season is nonetheless within the High 10, coming in at No. 8.)


Speak about endurance: With the No. 5 debut of Eternally, Bon Jovi has now had an album chart within the High 10 within the Eighties, ’90s, 2000s, ’10s and ’20s. This 12 months marks the fortieth anniversary of Bon Jovi’s self-titled debut, and the band is now the fifth group to position a brand new album on the High 10 in every of the final 5 many years, becoming a member of AC/DC, Def Leppard, Metallica and U2.

Just about all of Eternally’s chart success is derived from pure album gross sales moderately than streaming — it’s really the week’s prime vendor — so don’t anticipate the file to remain excessive on the charts within the coming weeks. However its first single, “Legendary,” has scored strong radio-airplay numbers, which is particularly spectacular when you think about that it’s received competitors from Bon Jovi songs which were dominating some stations’ playlists because the late ’80s. (Lookin’ at you, “Livin’ on a Prayer.”)


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